With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.
From vampires to aliens, from Tollywood to Hollywood, from indies to blockbusters, here are the best movies of 2025.
Timothée Chalamet delivers a captivating performance as a ping-pong player in relentless pursuit of greatness in Josh Safdie’s Marty Supreme.

Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.

Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.

Sinners is simultaneously a historical drama, a popcorn horror movie, and a musical, making it a unique film that delivers a truly enjoyable theatrical experience while also giving us storytelling with deeper themes and meaning.
If you loved “Naatu Naatu” and you’re ready to dip a toe into South Indian cinema, here are a few excellent movies like RRR to watch next.
What if the most annoying kid in your first-year film studies class wrote fanfic about the silent film era while on cocaine?
I never thought we’d get a Clue-like murder mystery comedy in today’s world of CGI explosions and quips, but Rian Johnson delivered a fantastic, quotable film with high rewatchability and solid laughs.
While Black Panther: Wakanda Forever lacks some of the finesse of top-tier Marvel, Namor shines as an engaging MCU villain, and powerhouse performances from the female cast members make it a solid MCU entry.
At a little over two hours, Amsertdam feels like trying to binge-watch a 10-episode miniseries in an afternoon when none of the episodes are really hooking you and you’re resisting the urge to look at your phone the whole time.
Despite a strong performance from Florence Pugh and stylish visuals, Don’t Worry Darling is a bit too ambitious for its own good, attempting a sharp social commentary about the role of women, but never fully realizing its own aspirations.
The Woman King could have easily been a simple story that felt a little too familiar. It could even fall into the cynical Hollywood fake empowerment category if the themes and characters didn’t hit just right. Instead, director Gina Prince-Bythewood’s film draws you in with incredible performances and gets you fully invested in every moment…