Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
The Mandalorian and Baby Yoda are back for season 2 on Disney+ streaming October 30.
Netflix has some of the best true crime on TV, but why are we so hooked on their shows? It all starts in 1988 with a documentary that changed true crime.
Most people have Netflix and Amazon Prime, so you’ve probably seen The Umbrella Academy and The Boys, but there’s another superb superhero series you probably haven’t watched.
The new documentary ‘Happy Happy Joy Joy: The Ren & Stimpy Story’ attempts to explore the legacy surrounding the beloved Nickelodeon show and the allegations about its controversial creator.
Chances are you saw some of the huge movies that topped the box office last year, but here are a few amazing award-worthy movies you probably missed in 2019. Now that we’re all staying home and streaming more, give these great flicks a watch.
Despite strong performances and fun, colorful visuals, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is definitely lacking on substance to go with that all that style.