Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
‘Jackie’ provides an extremely layered look at a largely unexplored perspective of one of the most analyzed events in US history. Portman’s well-studied portrayal shows us Jackie Kennedy’s isolation, coming at a time which the history books have always held up for its unity.
If the main saga Star Wars movies are The Lord of the Rings, then Rogue One: A Star Wars Story is more like Game of Thrones. Instead of legendary heroes and Jedi magic, Rogue One is more grounded in reality with a small, rag-tag group of rebels who manage to do something extraordinary. Because of…
When you go to see a movie about a heroic American event, starring Tom Hanks and directed by Clint Eastwood, you have a pretty good idea what you’re going to get. In other words, you’ll go into Sully expecting a quality movie, and that’s precisely what they’ll deliver.
Director Todd Phillips might be better known for his Hangover trilogy, but War Dogs proves he can make a movie that is both entertaining and impactful. Cross that with the chemistry between Jonah Hill and Miles Teller, and throw in a little Bradley Cooper and you’ve got yourself a rags-to-richest-to-corruption story that’s definitely worth a…
When the primary antagonist of your movie is a literal talking douche, it’s fair to say that you’re not aiming for intelligent humor. Sadly, Sausage Party feels like a weak attempt to create an edgy animated satire, only aiming for the lowest-hanging comedy fruit and missing the chance to live up to its inventive concept.
Remember when The Interview came out and everyone decided that seeing a silly little comedy was some kind of patriotic act of defiance to North Korea? The all-female Ghostbusters reboot is a lot like that—a silly little comedy that somehow ignited a culture war on the internet and became way more significant than it probably…
Mr. Robot is one of those shows that everybody’s talking about. It’s being praised by practically every TV critic in the land, has amassed a huge legion of fans, and seems to have tapped into both our love of technology and our paranoia about the huge corporations who run that technology. Everybody seems to love…