Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Jennifer Lawrence brings vulnerability and intensity as a mother on the verge of a total breakdown opposite Robert Pattinson in ‘Die My Love’.
Predator: Badlands offers up a PG-13 sci-fi buddy story that feels more like a Star Wars side quest than a continuation of the spine-ripping Predator universe.
Films can often make us laugh or cry, but very few are able to execute the goal of making us feel quite as uncomfortable as If I Had Legs I’d Kick You.
Rishab Shetty blends cinematic spectacle with cultural folklore for a grand-scale prequel in ‘Kantara: Chapter 1’.
In Roofman, Channing Tatum is a thief on the run who takes up residence inside a Toys ‘R’ Us, but it’s the performances that really steal the show.
The Smashing Machine is a sports movie, a biopic, and an award-season movie that doesn’t want to fall into the expected tropes of those categories.
Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.