Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
The murderous doll is back in M3GAN 2.0, but this time, we’ve traded horror for comedy.
‘Materialists’ could feel like a very basic romcom, a cliche tale of choosing between love and luxury, but its cynicism gives it a refreshing perspective.
With The Phoenician Scheme, Wes Anderson gives us exactly what we expect from him: glorious visuals, quirky characters, and his trademark deadpan dialogue. But is that enough?
Tim Robinson is at his shouty, weirdo best in Friendship, a comedy about a man who gets a little too obsessed with his cool new pal, played by Paul Rudd.
In the heartwarming ‘Superboys of Malegaon’ a plucky group of outsiders come together to make a film for their community.
Andor season 2 brings us mature storytelling, well-developed characters, and an explicit political message, proving once again that this show is the best of Star Wars.
Sinners is simultaneously a historical drama, a popcorn horror movie, and a musical, making it a unique film that delivers a truly enjoyable theatrical experience while also giving us storytelling with deeper themes and meaning.