Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Alexis is joined by Andrew Levins from the Hey Fam podcast to chat about Nag Ashwin’s Pan-Indian blockbuster Kalki 2898 AD and how it compares to movies like RRR and Baahubali from legendary Telugu director S.S. Rajamouli.
Nag Ashwin’s Prabhas starrer Kalki 2898 AD feels like the Avengers of Indian cinema but the film also works surprisingly well without prior knowledge.
Tom Hardy and Jodie Comer are having a wild voice competition in ‘The Bikeriders’ but is the movie compelling?
Sasquatch Sunset is an 88-minute, dialogue-free film about Sasquatches featuring an unrecognizable Riley Keough and Jesse Eisenberg, and it’s one of the weirder films you might see this year.
Furiosa: A Mad Max Saga exceeds expectations with stellar performances by Anya Taylor-Joy and Chris Hemsworth, stunning visuals, and exceptional stunt work.
‘Back to Black’ suffers from the same issues as so many musician biopics: telling a true story and appeasing the estate that holds the music licensing rights.