With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.
From vampires to aliens, from Tollywood to Hollywood, from indies to blockbusters, here are the best movies of 2025.
Timothée Chalamet delivers a captivating performance as a ping-pong player in relentless pursuit of greatness in Josh Safdie’s Marty Supreme.

Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.

Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.

Sinners is simultaneously a historical drama, a popcorn horror movie, and a musical, making it a unique film that delivers a truly enjoyable theatrical experience while also giving us storytelling with deeper themes and meaning.
The documentary ‘Frida’ by Carla Gutierrez offers an intimate portrayal of Frida Kahlo by blending her words with animated paintings, providing insight into her inner world and artistic expression, beyond traditional archival footage and interviews.
With twists and turns, absurdity, heart, and appearances from Pedro Pascal, Matt Damon, and Miley Cyrus, Drive-Away Dolls is the type of small, one-off comedy that you rarely see in multiplexes these days.
Madame Web has clunky exposition, awkward dialogue, mediocre action, and a very generic story. But it also has some of the most unintentionally hilarious line delivery and weird moments I’ve seen recently.
Bob Marley: One Love follows predictable biopic tropes, but Kingsley Ben-Adir’s portrayal of Marley and Lashana Lynch’s performance as Rita keeps it captivating.
Alexis is joined by Bryon Graves, award-winning author of Rez Ball, to chat about book-to-screen adaptations. Find out which book made Byron quit a book club and why dystopian YA adaptations are like Gremlins.
Suncoast feels designed to pull at heartstrings, but thanks to Nico Parker’s strong lead performance, it proves to be an effective tear-jerker.
The marketing campaign for ‘Argylle’ has been aggressive but is it in service of a good movie?