Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
In Mike Cheslik’s Hundreds of Beavers, a 19th-century applejack salesman battles beavers in a mashup of silent-era slapstick and Adult Swim humor.
Is Ryan Gosling charming enough to turn the action movie remake of a 1980s TV show into a successful film? The Fall Guy hopes the answer is yes.
It’s Bill Skarsgård vs the universe in Boy Kills World the new bloody, hyper-violent revenge comedy from first-time feature director Moritz Mohr.
Netflix’s new limited series Baby Reindeer is a raw, emotional, sometimes funny, sometimes terrifying, sometimes heart-wrenching story of obsession.
Zendaya delivers a powerhouse performance in Luca Guadagnino’s sexy and captivating ‘Challengers’
Dev Patel’s directorial debut, ‘Monkey Man,’ is a revenge tale blending dynamic action with a poignant undercurrent of faith and class struggles.
If you go see a movie called ‘Godzilla x Kong: The New Empire’ you want to see giant CGI monster action, and that’s precisely what you’re going to get.
The conversation around ‘Late Night With the Devil’ has centered on the ethics of AI art, but does the movie live up to previous hype?