Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Despite a strong performance from Florence Pugh and stylish visuals, Don’t Worry Darling is a bit too ambitious for its own good, attempting a sharp social commentary about the role of women, but never fully realizing its own aspirations.
The Woman King could have easily been a simple story that felt a little too familiar. It could even fall into the cynical Hollywood fake empowerment category if the themes and characters didn’t hit just right. Instead, director Gina Prince-Bythewood’s film draws you in with incredible performances and gets you fully invested in every moment…
Three Thousand Years of Longing, from director George Miller and starring Idris Elba and Tilda Swinton, is a visually stunning tale that celebrates storytelling and takes its time building its own narrative.
Thor: Love and Thunder struggles with the balance of humor and drama but still provides a lot of Marvel fun.
The Boys are back and more brutal than ever, but season 3 does feel a little like the show isn’t quite sure what it still has to say.
Despite director Sam Raimi’s dynamic style and stunning visuals, Doctor Strange in the Multiverse of Madness feels surprisingly inaccessible to casual MCU fans, though it will likely delight those who are well-versed in comic book lore.
Not since the days of The Last Jedi has a movie been this polarizing, but with Don’t Look Up, at least people are fighting about something real this time instead of lightsabers.
Simon Rex is the perfect charming dirtbag as ex-adult film star Mikey Saber in Sean Baker’s Red Rocket from A24.