Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
If you’re even a casual fan, The Beatles: Get Back will be more satisfying than your Thanksgiving meal.
The small holiday story risks being Hawk-blocked by the enormity of the MCU.
The Last Duel might be about Matt Damon battling Adam Driver, but Jodie Comer emerges as the real victor in this lengthy but engaging film. TW: Sexual assault.
With fresh, dynamic fight scenes, Shang-Chi manages to break some new ground and avoid the pitfalls of more generic MCU entries, especially for an origin story this late in the game.
As the MCU moves into a post-Infinity Saga world, Marvel is throwing all sorts of new stuff at us, particularly in the form of streaming shows on Disney Plus. Now we get an animated series that correctly assumes we’re all familiar enough with the characters of the MCU to wonder what would happen if they…
Annette is weird, it’s a musical, it’s over two hours long, and it features a marionette as a main character. It’s about as far from a Marvel movie as you can get.
What do you get when you mix The Truman Show with Ready Player One, a pinch of Westworld and a little bit of Space Jam: A New Legacy? You get the new Ryan Reynolds comedy Free Guy.