Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
This year’s Denver Film Critics Society nominations include a huge range of films from small indies to top-grossing blockbusters.
Game Changer, the new Shankar film starring Ram Charan can feel like too much and not enough at the same time, but there’s still some fun to be had with the music and maximalist style.
The Brutalist has been heralded by critics as the best film of 2024, but does this 3.5-hour epic live up to the awards hype, or is it a classic case of Oscar bait?
It’s not a flawless sequel, but with catchy music, a colorful visual style, and the undeniable charisma of Allu Arjun, Pushpa: The Rule is a blast.
Amy Adams stars as a frustrated mom who turns into a dog in Marielle Heller’s ‘Nightbitch’. The premise is wild but the film occasionally lacks bite.
Levins from Hey Fam returns to the podcast to chat about Sukumar’s Pushpa: The Rise, starring Allu Arjun, in anticipation of the release of the sequel, Pushpa: The Rule.