Robert Pattinson plays up To Catch a Predator host Chris Hansen’s moral ambiguity in Lance Oppenheim’s Primetime.
Austin Abrams is a medical delivery driver having a terrible, no-good, very bad day in Zach Cregger’s Resident Evil adaptation.
A lovable children’s TV show character becomes increasingly unhinged in the new horror comedy Buddy from Too Many Cooks director Casper Kelly.

Nani and Srikanth Odela give pan-India spectacle, but The Paradise lacks in emotional substance.

With breathtaking landscapes and a breakneck pace, Na Hong-jin’s Hope might be one of the craziest films you see this year.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Paul Mescal and Pedro Pascal may star in Ridley Scott’s Gladiator II, but make no mistake, this is Denzel Washington’s movie.
Director Payal Kapadia’s All We Imagine as Light delivers themes of friendship, sisterhood, connection, heartache, hope, and disappointment all delivered through outstanding performances and breathtaking visuals.
Jesse Eisenberg wrote, directed, and stars in ‘A Real Pain’, but make no mistake, this is Kieran Culkin’s movie.
Alexei Toliopoulos, one of my all-time favorite podcasters, joined me to chat about Sean Baker’s film Anora on the latest episode of the Whatcha Watchin podcast.
Anora, Sean Baker’s humorous, engaging, and emotional Cinderella story, could be one of the best movies of 2024.
Kt Baldasarro from MovieRuntime returns to chat about The Substance from director Coralie Fargeat and starring Demi Moore, Margaret Qualley, and Dennis Quaid.
Jason Reitman’s fast-paced, dialogue-dense ‘Saturday Night’ takes us back to a time when the half-century-old SNL was a revolutionary symbol of counterculture.
Sebastian Stan masters the mannerisms of the megalomaniacal former president, but ‘The Apprentice’ lacks perspective and a point.